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Johann Sebastian Bach: The Learned Musician, by Christoph Wolff
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Review
“A monumental work that must find its way into the library of every musician and every dedicated lover of music.†- Isaac Stern“It's unlikely that anyone will fashion a finer tribute to [Bach's] genius.†- Los Angeles Times Book Review“A magisterial biographical portrait…necessarily learned, but also user-friendly, helpful and entertainingly informative.†- Chicago Tribune“Likely to be the standard one-volume Bach biography for some time to come.†- New York Review of Books“A work of clarity worthy of its subject and his music.†- Wall Street Journal“Undoubtedly the most important Bach biography since Phillipp Spitta's life written over a century ago.†- The New Republic
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About the Author
Christoph Wolff, a Pulitzer Prize finalist, is the Adams University Professor at Harvard University and one of the world’s foremost experts on Bach and Mozart. He lives in Cambridge, Massachusetts.
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Product details
Paperback: 599 pages
Publisher: W. W. Norton & Company (September 17, 2001)
Language: English
ISBN-10: 9780393322569
ISBN-13: 978-0393322569
ASIN: 0393322564
Product Dimensions:
6.1 x 1.8 x 9.2 inches
Shipping Weight: 1.5 pounds (View shipping rates and policies)
Average Customer Review:
4.0 out of 5 stars
62 customer reviews
Amazon Best Sellers Rank:
#143,317 in Books (See Top 100 in Books)
A great book. I have both the paper and Kindle editions. The paper one is outstanding. The Kindle one has little or no figures close to the text, and more than a few are just omitted. The many tables are sometimes illegible because of character size chosen. Music notation examples are not included in line along with the text, but in notes. You have to keep going back and forth to notes all the time, which I find very inconvenient. This should be corrected since there is no reason for such inconvenient layout.For the time being, just go for the paper book, since this is one you probably want on the shelf anyway.
This is a wonderful book for Bach enthusiasts -- incredibly detailed, but everything you have ever wanted to know about Bach is in one spot. But the Kindle version was a great disappointment because there are NO ILLUSTRATIONS. The table of contents lists dozens of illustrations that I was dying to see, but they don't appear anywhere ( at least that I can find). What a rip. They should warn you before you buy it that you aren't getting the entire book. Very disappointing.
I just finished reading this book - loved it. I have, of late, fallen in love with classical music. It's all I listen to in the car and at work. I felt it was time to learn more about one of my favorite composers, and this book was great.Facts I found most interesting:Bach came from a family of talented and respected musiciansHe was an incredibly talented and respected organist. Churches would have him come to examine and inspect their newly built organs. (Makes his organ compositions more interesting)He had 20 children (from two wives - the first died suddenly of illness) 10 made it to adulthood. While living in Leipzig his family lived in a large home by the time's standards - 803 square feet!Much of Bach's work was lost after his death. He divided his manuscripts among his four musical children, and only Carl Philipp Emanuel managed his inherited music with care - the others sold theirs piecemeal.I am completely un-educated when it comes to the technical side of the music, so a lot of the discussion of the music itself went over my head. Still, I enjoyed the book immensely.
This book is hard to read. Its bogged down in meaningless details. In the end, I did not get anything out of it. The only reason I don't give it 1 star, its that someone worked very hard to create all this. Meanwhile there are better books on Bach out there.
Wolff certainly has done the research and then written a passionate account of this "learned musician" for the ages. Among the fine qualities of this biography is a clear, concise writing style with erudite thinking demonstrated sorting out the historical sources surrounding Bach's life.Tracing his life chronologically, the book's theme is one of a composer/virtuoso/organ expert who develops out of self-interest and passion for music and especially his family background of musicians. He certainly had some ins because of this family heritage, but certainly on the same hand earned his way by his demonstrated abilities on the organ, pipe organ construction and maintenance and finally composition.Revolutionizing the music craft by his counterpoint and harmonization, his influence both to those who come after him including his two older sons, this man continues to play vital role in unfolding world of music.Minor missing element which certainly is understandable for the non-theologically inclined is the major influence that Bach's theology played in his music. From the surviving Cavlov Bible that we have from J.S., we know this as certainty.
After reading this book I came away with a good understanding of Bach's musical achievements and his concept of what music is all about. This is a very well written and comprehensive look at Bach's music and musical evolution thru life - including his major, longer works (no minuets included) and musical surroundings. It is very well worth reading for its study of Bach's music if you have some technical musical background (more on that later).One small complaint: most of the music titles are given in German only. Since there are hundreds of such cases, it was impractical to do always search for a translation on the internet so I'm sure I missed a few points. For example the titles of Bach's first three key teaching works are listed - with only the first in English. Wolff then says that "the carefully coordinated phraseology of all three titles" were impressive!Fortunately, the German version of "The Notebook for Anna Magdalena Bach" is obvious in meaning but shamefully without translation: for many of us, one of our first piano pieces came from that notebook!Finally, this is not a complaint, but a warning. You will have great difficulty with this book if you don't have some background in musical terminology, notation, and Baroque music history. You should know the meaning of terms like "basso continuo", "counterpoint", "thoroughbass" (figured bass), etc. to appreciate the text. For example, there is much discussion of Bach's role in the evolution of the "Fugue". Other forms, such as the "motet" (sacred music not an integral part of the mass) are mentioned without definition. For such a background, I would recommend Kamien's "Music An Appreciation, Ed.8" - or a less expensive alternative that covers music from the Middle Ages to the Baroque Period.
One of the most inspiring historical books I have read. Even with a limited knowledge of music history and theory, I felt the author wrote in a way that helped me grasp the essence of the man and time.
Definitive, but not light reading. Kindle version very helpful bec the search is better than the paperback index.
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